if youre a fan of techno, we have something you might be interested in. have everything a true pan-pot fan could ever wish for - think dark and heavy, builds and drops, synths and loops - true four a.m. grit to get your hands in the air and keep you raving until dawn!

dustin zahn and joel mull remixed by pan pot and alan fitzpatrick - pure heavyweight double a-side vinyl!

with a well-earned remix refill, cocoon recordings is taking a bow before the belfast-born dj and producer phil kieran, whose >shh< album from last year, like rarely another album release, was able to proof how fresh, futuristic and complex modern techno can sound.

ryo murakami whos recent releases include dessous and moriss audio and is known for leading the younger generation artists announces his newest release on his very own label panrecords. the promo is already being heavily played on the jus-ed radio show. the tunes of the analog drum machine coming from the bottom of the deep seas along with our friend amrs quiet yet crazy voice sampling echoes on a1s lost it and a deep arrangement is added to the coupling track dive a elevate. the fat analog synthesizer by dublins lerosal that resembles chicago and detroit sounds are remixed with the rhythm machines low range sounds. the sense of flow from beginning to end is at 90.5. the complete 4 songs are sent from tokyo out to the world scene

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

after unleashing a stunning series of 12 s and their acclaimed mix cd last year, the idjuts are back, doing what they do best...

with >shame< we have the most requested album track on vinyl now together with two new mixes for lost highway . one is coming from noone else than gui boratto who did the flavourable tracks for indie rock djs and technoids alike and the other is coming from expander feat. marc houle

weniger minila time , mehr prime time... phunkin techno frisch aufgelegt. mehr davon bitte

willkommen zur sechzigsten ausgabe unserer speicher serie. auf der a-seite schaut cocoons toni rios mal wieder vorbei und liefert einen ordentlich >aufgesexten< techhousetrack ab, der irgendwo zwischen chicagohouse, akufen und marc kinchen die neue mitte sucht. pan/tones gastspiel ist ebenfalles sehr gelungen! fette club maxi

>can ting< is west indian slang for a steel pan, a much loved instrument in the caribbean world. here the duo takes on this magnificant sound maker that brings people together in massive street battles containing thousands of practising steel pan musicans playing all thru the night. due to its complicated note structure and technical limitations in tuning single areas in the steel pan, this instrument requires many years of practising. the sound of a one hundred man strong steel pan orchestra is something everyone should see and experience once in their lifetime.

one of the best kolombo releases so far !! singles on turbo, robotronic, definitive, boxer recordings and and and. and? yes, he also runs his own label platform, vice versa and releases now number eight there! >tesa< is a cool, groovy and deep electro shaker which invites all ladies to conquer the dance floor. but the hit is for sure >flute de pan<, the next step into high class neotrance with edge! listen carefully!

sheldon zelebriert mit stücken wie >dirty deeds< & >perdon< die glückseeligkeit des nachtlebens. so natürlich wie er dabei auf dem alten pfad der housemusik flaniert, so sehr ist er doch ein mit techno in großbuch- staben assoziierter protagonist der clubkultur

pan-pot’s debut longplayer pan-o-rama turns out to be the gift that just keeps on giving. first there was the lead single >charly>, backed by an infectious remix from lady mobilee herself, anja schneider. now they hand the baton to marco resmann and zander vt, who each perform their own magic on two more killer cuts from the album.

avocado # 1 was the secrect weapon in dc 10 last summer! big with: ame, matthias tanzmann, tanja volcano, steve bug,…!! #2 comes even stronger ! a: peter pan: following up from the immense track >elephant<, >peter pan< does not betray rune and sydenhams tough deep tech sensibilities. grinding along, this track blurs the boundaries between tech- house and techno. b: snow bored: >snow bored< is a deep and sophisticated piece of tech effervescence clearly demonstrating the serious approach sydenham and rune take in their search of new techno pastures.

helado en globos is the main track for this release, this number has a bassline which is so funky and driving thats going to even make your grandma dance (expect bootlegs of this track with donna summer funzion ones). for the remix, we had no other than the pan-pot guys who kept the original flavour of the original one adding their special touches to the original recipe turning this track into a deep funky stormer. finally, we took one of funzions best works from the igloo back catalogue, his remix of qiks fall. the only reason we did this because its not just a filler, its killer. enjoy your >helado en globos<!

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

big teaser release to the upcoming album >pan-o-rama< from pan pot !! any words nessecary. incl a well produced pumpin anja schneider remix. supported by major players & producers like 2000 and one, italoboyz, karotte, mike shannon, shinedone and mike monday

kurz vor serienende läuft der täter immer noch frei rum. während kommissar brocksieper versucht ihn mit feierfreudige detroit house zu locken, setzen die zivilfahnder pan/tone & benno blome auf die bewährte minimal-techno karte und kreisen den gesuchten durch ringeltanz ein

the next series of vinyl cuts with remixes introduces lee van downski and agnes at the remixing duties on previous pan pot.on the aside we have a solid,tight techno interpretation by lee van dowski with a fascinating cut that defiantly makes the dancefloor shake on the come back ! on the b side, agnes comes with a ultra deep remix of twisted sounds rotating all over the soundscape. a track that keeps on building and evolving through out all its extend

big with tom novy, eddie amador, warren clarke… pan america – released back in 2002 on royal flush and later through milk & sugar, it was one of the sought after tracks during the summer of 2003 with virtually every major dj spinning this crowd pleasing track. no intro needed on mr freakazoid – the talented youngster from the swiss alps simply keeps hitting the winning formula time & time again… toolroom, cr2, airplane!, hed kandi & apollo have all received the df touch! finally german producer denis the menace continues his impressive nero discography

track one convinces with hard beats, a hot rhythm spiced with some futuristic tech-house elements. its a real enjoyment for all electronic-music-lovers! the >frankie remix< is really strong and enthralling, but surely in a very good way. the rhythm will catch you and will lead you straight onto the dance floor

gabriel ananda schaltet auf snipermodus, seziert haarfein & moduliert bis die beats eine physikalische größe erreichen. >das habe ich doch nicht gewollt !< war das letzte was man ihn sagen hörte..

second chapter comes with nice minimalistic techno remixes by pan-pot, mathias kaden, from karaoke to stardom and >hollis< remix-contest winner from canada, the wolves outside

barem (pariter, foundsound, phonocult) und camea (clink) grooven hier mit lancelot camelot um die wette. wer zuerst ins ziel rollt hat gewonnen !!

die beiden areal aushängeschilder nehmen den titel wörtlich & knallen munter rum. pan/tone dagegen liegt im hinterhalt und nutzt den Überraschungsmoment

after several side-projects as sid lerock and gringo grinder, pan/tone is now back with >dr. pyckle and mr. pryde<. >the tear jerker< is one of these elegiac anthems, building up more and more in a way you never want it to end. the flip resurrects the momories of the good old school of cologne - back then, when minimal was still pristine, and the groove as the fundamental element was still wirth something. as a bonus there s a remix by kimberly & clark, accentuating the track with some bleepy bliss, and loads of 808

new pan-pot! what else should we say than amazing! played by dinky, jesse rose, karotte, matthias tanzmann, laurent garnier

a special einmaleins release which contains mixes from pan pot & touane. pan pot keep it deep. dirty and twisted with playful hi hats and dark drive, wisltes and bass complete the soundscape on the a side. touane gives a more funky and powerful interpretation of the track with clicks and groove from min 0 of the track. with synth changing the picture and giving a totally different and unique style to the track!! played by butane, dario zenker,laurent garnier, karotte, franklin de costa !!

cereal/killers ist ein label auf zeit. nach 7 releasen ist der mörder gefasst & die serie vorbei ! roter faden der serie ist pantone, der sich zu jeder platte gäste einlädt. den anfang machen misc mit exzellenten primetime techno

cool minimal techno godzilla from dario zenker & ruediger kober aka feldah & koba !! incl pan pot remix

in the only cameo appearance here, london s jesse rose (dubsided) puts his chunky house signature on pan-pot s >black dog<. buy one get one for free ist our offer on side a. the pots & pans edit is a bit more reduced. its the typical jesse rose dub edit style. sebo k – >hori zons< exercise one s sleepless in san juan mix exercise one tackles sebo k s >hori zons< and del iver another functional rave anthem. the remix is mainly influenced by their legendary live gig at this years mobilee sonar party at raum. they started doin this remix at exercise one s private afterhour in the mobilee appartments at paseo san juan. ewan persons comment: >berlin s two brightest rising stars clash in mobilee s new remi x project. this is an absolute monster - probably the biggest dancefloor reaction to anything i m playing at the moment<

pan-pot take on anja schneider & sebo k s hit >rancho relaxo<. the biggest success on mobilee so far is re-newed by mobilee s shooting stars. the pan-pot producer team claim there territories once again with a funky tune. this is not ponderosa - welcome to the black ranch.aa - gummihz take a scalpel to anja schneider s >addicted< gummi is well known for his talent to break musical rules and borders. his remix for mrs. schneider s >addicted< is laid back in a way but rollin and roll in and bouncin…

very limited 7 inch collection collectors item

spooky minimal crispy tech monster tunes, but one question please: agent dale b cooper : where is laura palmer ?

"aaltopiiri is an album filled with alluring, ambient frequencies and hypnotic rhythms. tracks like kone and kierto stutter and groove, while elsewhere aanipaa and liuos provide lush, addictive pulses. they are often asked what the track & album titles actually mean when translated into english, but as they often invent or combine finnish words the "definitions" become quite vague. for example, a legendary maybe mythological low creeping mist from a particular area of finland or, a variant technological term for a certain aspect of a early radio wave experiments."

pan cosefo is the new project of spoonface (aka black legend) with a merger of broken beat and a dancehall meets grime aesthetic (think m.i.a.) very catchy with a definite uk bashment appeal it gets a pair of mixes from zed bias not to be missed

es schiebt und drückt, klickt und zehrt, da brauch man nur eins und eins zusammen rechnen und man weiß es ist pan pot (mobilee) mit der zweiten veröffentlichung auf einmaleins !!!

re-issue of 1994 drone alltime techno classic, remastered w/ new artwork

pan-pot has a huge output. black curran t is a slow motion minimal stomper. hear it loud first and then play it loud at peak time on a japanese mega rave , the flipside with moon harbours daniel stefanik he presents the bellson mobilee records. its another kind of sound that you are used to while listening to his great moon harbour releases. lets call it alte schule! pumpin with a lot of detroit energy! have fun with mobilee005plus

a real minimal ep monster for the clubfloor. with their new tracks randy ho and p.o box the virtuosos of sound will show us how warm wintertime could be. you ll love the basslines, which will leave you open-mouthed on the dancefloor. the release has the feeling of an early morning - very dewy and so fresh. call it minimal, call it crisp and cool, call it whatever you like. for us it s the untouchable pan-pot style from the heart of berlin s underground

berlins einmaleins musik label comes with another cool release, this time from einmaleins the duo pan-pot kicks you with an ultraphat, minimal and bassheavy 3 track ep. keep the minimal gangsters hard rockin !!! strictly no fillers - all killers

hot minimal electro and acid house remixes with tech house appeal , by mugwump, david parr, a jackin phreak!! played by sven väth

köln's kanadier kocht nach seinem spezialrezept: forsche basslines, frisches arrangement & ein kräftiger schuss indiependent. fertig ist das japanisch-kölsche kanadiergericht

excellent minimal cut up / soundhack infected techhouse

egal ob als sid le rock, gringo grinder oder als pan/tone, seine tracks beherrschen die kür der nacht. rock and roll und knarzbasslines mit popappeal sind sein schmieröl, das alles zusammen hält

der crispe holzfäller ist zurück und er hat was ganz besonderes geschnitzt: zwei echte wald-schrate, schnaubend und stampfend alles aus dem weg räumend, was bei drei noch nicht den whiskey angesetzt hat. in bester tradition führt pan/tone seine erste killermaxi “green bottles & teen models” fort.

nach einigen fingerübungen im clicks n cuts-milieu verabschiedet er sich jetzt vom hornbrillentragenden rumstehen deluxe und hantiert lieber mit schwerindustriellen bassmonstern nebst böse rockender effektartillerie rülps n jump statt künstlicher intelligenz !